Blanka Amezkua, Esperanza Cortés, Anthony Carlos Molden
Prima Materia
November 7, 2024 - January 4, 2025
Reception and Gallery Talk, featuring DJ ON MARS, November 14 5:00-7:00 PM (talk begins at 5:30)
301 High Street Gallery

Prima Materia is an exhibition curated by Anabelle Rodríguez-González that will include works focusing on how visual artists engage with and respond to specific materials to create artworks meant to heal. All three artists will present new and recent works that both conflate and transcend the “Art” vis à vis “Craft” conundrum that push the limits of the mixed media they explore.

Emory Douglas, Akinsanya Kambon, Gayle “Asali” Dickson, Malik Edwards
Carrying On: Black Panther Party artists continue the legacy
January 21 - March 15, 2025
301 High Street Gallery

This exhibition is curated by Colette Gaiter and brings the legacy and current work of four former artists for the Black Panther Party together to illuminate the role of art in cultivating a radical imagination and developing activist practices. These cultural pioneers are all dedicated to the belief that art motivates and inspires people to work for their own liberation.

Lavett Ballard
The People Who Could Fly
March 24 - May 10, 2025
301 High Street Gallery

Ballard views her art as a re-imagined visual narrative of people of African descent. Her use of imagery reflects social issues affecting primarily Black women’s stories within a historical context. For her show at Rowan University Art Gallery & Museum Lavett is creating new works that will represent and amplify African folklore and tribal stories told from a Black woman's perspective.

The Sister Chapel
June Blum, Maureen Connor, Martha Edelheit, Elsa Goldsmith, Shirely Gorelick, Ilise Greenstein, Betty Holliday, Diana Kurz, Cynthia Mailman, Alice Neel, Sylvia Sleigh, May Stevens, Sharon Wybrants
On permanent display
CASE Gallery @ Westby

The Sister Chapel was conceived in 1974 as a monumental “hall of fame” in which women’s achievements would be presented from a female perspective. The artists collectively established uniform dimensions for the figure paintings and agreed that each canvas would depict a standing female “role model.” The particular subject and manner of execution were left entirely to the creator of each painting. Diverse contemporary and historical women, deities, and conceptual figures populate the all-female pantheon of The Sister Chapel.

CASE Gallery is closed for renovations. Please check back for reopening information.